{"id":416,"date":"2018-10-11T19:31:37","date_gmt":"2018-10-11T17:31:37","guid":{"rendered":"http:\/\/hautnah.deutsches-filmmuseum.de\/?page_id=416"},"modified":"2020-05-13T10:00:43","modified_gmt":"2020-05-13T08:00:43","slug":"qr-code-21-vitrine-4","status":"publish","type":"page","link":"https:\/\/hautnah.dff.film\/en\/qr-code-21-vitrine-4\/","title":{"rendered":"Display Case 4: Rainer Werner Fassbinder"},"content":{"rendered":"<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='sub_menu1' class='av-submenu-container main_color  container_wrap sidebar_right'   style='z-index:301'><div class='container av-menu-mobile-disabled '><ul id=\"menu-virtueller-ausstellungsrundgang-englisch\" class=\"av-subnav-menu av-submenu-pos-center\"><li id=\"menu-item-2123\" class=\"menu-item menu-item-type-post_type menu-item-object-page av-menu-button av-menu-button-colored menu-item-top-level menu-item-top-level-1\"><a 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href=\"https:\/\/hautnah.dff.film\/en\/qr-code-3-buddenbrooks\/\" itemprop=\"url\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Stage 1<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-2126\" class=\"menu-item menu-item-type-post_type menu-item-object-page av-menu-button av-menu-button-colored menu-item-top-level menu-item-top-level-4\"><a href=\"https:\/\/hautnah.dff.film\/en\/qr-code-4-vaeter-und-soehne\/\" itemprop=\"url\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Stage 2<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-2127\" class=\"menu-item menu-item-type-post_type menu-item-object-page av-menu-button av-menu-button-colored menu-item-top-level menu-item-top-level-5\"><a 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class=\"avia-menu-text\">Display case 1<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-2138\" class=\"menu-item menu-item-type-post_type menu-item-object-page av-menu-button av-menu-button-colored menu-item-top-level menu-item-top-level-16\"><a href=\"https:\/\/hautnah.dff.film\/en\/qr-code-19-vitrine-2\/\" itemprop=\"url\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Display Case 2<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-2139\" class=\"menu-item menu-item-type-post_type menu-item-object-page av-menu-button av-menu-button-colored menu-item-top-level menu-item-top-level-17\"><a href=\"https:\/\/hautnah.dff.film\/en\/qr-code-20-vitrine-3\/\" itemprop=\"url\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Display Case 3<\/span><span 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class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-2142\" class=\"menu-item menu-item-type-post_type menu-item-object-page av-menu-button av-menu-button-colored menu-item-top-level menu-item-top-level-20\"><a href=\"https:\/\/hautnah.dff.film\/en\/qr-code-17-taststation-lili-marleen\/\" itemprop=\"url\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Tactile Station 2<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<li id=\"menu-item-2143\" class=\"menu-item menu-item-type-post_type menu-item-object-page av-menu-button av-menu-button-colored menu-item-top-level menu-item-top-level-21\"><a href=\"https:\/\/hautnah.dff.film\/en\/qr-code-16-taststation-lola\/\" itemprop=\"url\"><span class=\"avia-bullet\"><\/span><span class=\"avia-menu-text\">Tactile Station 3<\/span><span class=\"avia-menu-fx\"><span class=\"avia-arrow-wrap\"><span class=\"avia-arrow\"><\/span><\/span><\/span><\/a><\/li>\n<\/ul><\/div><\/div>\n<div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><div id=\"av_player-0\" class=\"av-player av-player-container  first avia-playerstyle-classic avia-playlist-hide-cover\" ><div class=\"av-player-player-container\"><div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"1478\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/hautnah.dff.film\/medien\/2020\/03\/QR21_EN_display_fassbinder.mp3'>Display case: Rainer Werner Fassbinder<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":false,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"https:\/\/hautnah.dff.film\/medien\/2020\/03\/QR21_EN_display_fassbinder.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Display case: Rainer Werner Fassbinder\",\"caption\":\"Display case: Rainer Werner Fassbinder\",\"description\":\"Display case: Rainer Werner Fassbinder\",\"meta\":{\"length_formatted\":\"9:41\"},\"image\":{\"src\":\"https:\/\/hautnah.dff.film\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/hautnah.dff.film\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t<\/div><\/div><\/div>\n<div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>\u201cFor his first historical movie, <i>Effi Briest<\/i>, Fassbinder was on the lookout for a professional costume designer. Actress Hanna Schygulla proposed Barbara Baum. At their first meeting, Fassbinder didn\u2019t request any references from Baum; instead he asked her detailed questions about costume ideas. She surprised him by giving very precise answers. Spontaneously, the two of them began discussing the entire screenplay. This was the beginning of an intensive working relationship. Fassbinder had so much faith in Baum\u2019s work that he never asked to see her sketches and designs until shooting began. She worked almost exclusively for him until his death in 1982.\u201c<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><p><div class='avia-video avia-video-16-9   av-lazyload-immediate  av-lazyload-video-embed  '   itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/vimeo.com\/413589562' ><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/413589562?dnt=1&amp;app_id=122963\" width=\"1500\" height=\"844\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p><em>Barbara Baum on her first collaboration with Rainer Werner Fassbinder on<\/em> Fontane Effi Briest<\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>1st film: <b><i>The Marriage of Maria Braun<\/i><\/b>.<\/p>\n<p>Here there are several sketches on tracing paper of costumes for Hanna Schygulla in the title role. One sheet of paper shows a short-sleeved close-fitting dress with a narrow V-neck and a slightly flared skirt. Affixed to the paper are fabric samples \u2013 one black, one red check. On another sheet is a sketch for a suit with a flared calf-length skirt and a short black jacket, also flared. A larger sheet below features the design for the blue evening dress with a long-sleeved lace over-blouse. The calf-length, figure-hugging dress has spaghetti straps. Under the knee, the tight skirt features several lace godets \u2013 wedge-shaped fabric inserts that cause the skirt to flare. Next to the sketch is the comment: \u201c<b>Flare with and without lace<\/b>.\u201d<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   \" style='border-radius:0px; '><div class='avia-gallery  avia-gallery-1 avia_lazyload avia_animate_when_visible '  itemprop=\"ImageObject\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><a class='avia-gallery-big fakeLightbox lightbox avia-gallery-big-crop-thumb ' href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_002-722x1030.jpg'  data-onclick='1' title='Die Ehe der Maria Braun: Entwurf f\u00fcr ein Kleid mit Stoffproben' ><span class='avia-gallery-big-inner'  itemprop=\"thumbnailUrl\" >\t<img width='1280' height='1825' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_002.jpg' title='bb_ehe der maria braun, die_002' alt='Die Ehe der Maria Braun: Entwurf f\u00fcr ein Kleid mit Stoffproben' \/>\t<span class='avia-gallery-caption'>Die Ehe der Maria Braun: Entwurf f\u00fcr ein Kleid mit Stoffproben<\/span><\/span><\/a><div class='avia-gallery-thumb'> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_002-722x1030.jpg' data-rel='gallery-1' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_002.jpg' class='first_thumb lightbox ' data-onclick='1' title='Die Ehe der Maria Braun: Entwurf f\u00fcr ein Kleid mit Stoffproben'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Die Ehe der Maria Braun: Entwurf f\u00fcr ein Kleid mit Stoffproben' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_002-495x400.jpg' width='495' height='400'  title='bb_ehe der maria braun, die_002' alt='Die Ehe der Maria Braun: Entwurf f\u00fcr ein Kleid mit Stoffproben' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_001-1030x711.jpg' data-rel='gallery-1' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_001.jpg' class='lightbox ' data-onclick='2' title='Die Ehe der Maria Braun: Entwurf f\u00fcr das blaue Kleid f\u00fcr Maria'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Die Ehe der Maria Braun: Entwurf f\u00fcr das blaue Kleid f\u00fcr Maria' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/bb_ehe-der-maria-braun-die_001-495x400.jpg' width='495' height='400'  title='bb_ehe der maria braun, die_001' alt='Die Ehe der Maria Braun: Entwurf f\u00fcr das blaue Kleid f\u00fcr Maria' \/><\/a><\/div><\/div><\/div>\n<div  class='hr hr-default  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>2nd film: <b><i>Berlin Alexanderplatz.<\/i><\/b><\/p>\n<p>On the cover of a black notebook Barbara Baum noted that she was working on the costumes for <i>Berlin Alexanderplatz<\/i> during the shooting of \u201c<i>Maria Braun<\/i>.\u201d To the right of the notebook is the design for a suit for G\u00fcnter Lamprecht in the role of Franz Biberkopf. On the tracing paper next to the sketch is a note from Baum: \u201cMake suit three times due to accident. He still has two arms. Plus another one for after the arm is amputated. Book 7, Image 99.\u201d Next to the sketch is a Polaroid showing G\u00fcnter Lamprecht\u2019s torso. Around his middle is an orthopedic device for concealing his arm. The bottom edge of the display case features two designs for women\u2019s dresses. They show sketches for the role of Eva, played by Hanna Schygulla. The dress has a V-neck and long, flared sleeves. The black skirt is also flared. Two fabric samples are attached to the left-hand side of the sheet. The adjoining sketch shows the dress worn by Barbara Sukowa in her role as Mieze. A tactile graphic for this dress can be found in front of Stage 9, to the left. The graphic on the left is the front view, and on the right the back view, somewhat smaller.<b> <\/b>A sketch of a straw hat with a broad ribbon can be found in the bottom right corner. The design is a sleeveless, knee-length dress. The straight-cut bodice goes down to the hips, where the lightweight skirt begins. It is fashioned from two flounces with wedge-shaped inserts. Next to that, Baum has noted: \u201c<b>Light pink tulle lace<\/b>.\u201d The deep V-neckline features an insert of the same lace. A small bow adorns the bottom point of the V-neckline. Two fabric samples are also attached to the left-hand edge of this sheet. On top is the pink tulle lace, underneath a piece of white muslin.<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   \" style='border-radius:0px; '><div class='avia-gallery  avia-gallery-2 avia_lazyload avia_animate_when_visible '  itemprop=\"ImageObject\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><a class='avia-gallery-big fakeLightbox lightbox avia-gallery-big-crop-thumb ' href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin-Alexanderplatz__Barbara_Sukova__1_leichtes_weisses_Kleid.jpg'  data-onclick='1' title='Berlin Alexanderplatz: Entwurf f\u00fcr das Mieze-Kleid' ><span class='avia-gallery-big-inner'  itemprop=\"thumbnailUrl\" >\t<img width='400' height='573' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin-Alexanderplatz__Barbara_Sukova__1_leichtes_weisses_Kleid.jpg' title='BAUM, Barbara__Berlin Alexanderplatz__Barbara_Sukova__1_leichtes_weisses_Kleid' alt='Berlin Alexanderplatz: Entwurf f\u00fcr das Mieze-Kleid' \/>\t<span class='avia-gallery-caption'>Berlin Alexanderplatz: Entwurf f\u00fcr das Mieze-Kleid<\/span><\/span><\/a><div class='avia-gallery-thumb'> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin-Alexanderplatz__Barbara_Sukova__1_leichtes_weisses_Kleid.jpg' data-rel='gallery-2' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin-Alexanderplatz__Barbara_Sukova__1_leichtes_weisses_Kleid.jpg' class='first_thumb lightbox ' data-onclick='1' title='Berlin Alexanderplatz: Entwurf f\u00fcr das Mieze-Kleid'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Berlin Alexanderplatz: Entwurf f\u00fcr das Mieze-Kleid' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin-Alexanderplatz__Barbara_Sukova__1_leichtes_weisses_Kleid-400x400.jpg' width='400' height='400'  title='BAUM, Barbara__Berlin Alexanderplatz__Barbara_Sukova__1_leichtes_weisses_Kleid' alt='Berlin Alexanderplatz: Entwurf f\u00fcr das Mieze-Kleid' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin_Alexanderplatz__Anzug_fuer_Franz__Guenther_Lamprecht-1030x756.jpg' data-rel='gallery-2' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin_Alexanderplatz__Anzug_fuer_Franz__Guenther_Lamprecht.jpg' class='lightbox ' data-onclick='2' title='Berlin Alexanderplatz: Entwurf f\u00fcr einen Anzug f\u00fcr Franz'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Berlin Alexanderplatz: Entwurf f\u00fcr einen Anzug f\u00fcr Franz' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin_Alexanderplatz__Anzug_fuer_Franz__Guenther_Lamprecht-495x400.jpg' width='495' height='400'  title='BAUM, Barbara__Berlin_Alexanderplatz__Anzug_fuer_Franz__Guenther_Lamprecht' alt='Berlin Alexanderplatz: Entwurf f\u00fcr einen Anzug f\u00fcr Franz' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin_Alexanderplatz__Hanna_Schygulla__1_Kleid-714x1030.jpg' data-rel='gallery-2' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin_Alexanderplatz__Hanna_Schygulla__1_Kleid.jpg' class='lightbox ' data-onclick='3' title='Berlin Alexanderplatz: Entwurf f\u00fcr ein Kleid f\u00fcr Eva'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Berlin Alexanderplatz: Entwurf f\u00fcr ein Kleid f\u00fcr Eva' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Berlin_Alexanderplatz__Hanna_Schygulla__1_Kleid-495x400.jpg' width='495' height='400'  title='BAUM, Barbara__Berlin_Alexanderplatz__Hanna_Schygulla__1_Kleid' alt='Berlin Alexanderplatz: Entwurf f\u00fcr ein Kleid f\u00fcr Eva' \/><\/a><\/div><\/div><\/div>\n<div  class='hr hr-default  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>3rd film: <b><i>Lili Marleen.<\/i><\/b><\/p>\n<p>On display are three costume designs for Hanna Schygulla in her role as Lili, and a book of notes on the film. The first sketch shows a close-fitting halter-neck evening gown with a short train. A sample of blue fabric is attached to the left-hand edge of the design. Baum noted: \u201cEvening gown of royal-blue cr\u00eape de chine with fine gold threads; embroidered ornamentation and contours: midnight-blue sequins.\u201d To the right of the sketch is Baum\u2019s ring-bound notebook. It lies open and inside is a photograph of Hanna Schygulla wearing this dress in the scene at the Sportpalast in 1942. Underneath the notebook are two more designs. The one on the left has the front view of the silver-lam\u00e9 evening gown, very large in the center. A tactile graphic for this dress can be found in front of Stage 9, to the right. To the left of the large front view are smaller sketches of the back view; to the right is a representation of the matching headgear in profile. Written above that are a series of notes: \u201cSportpalast 1944, last appearance, shooting day Aug. 11, 1980. The dress must be figure-hugging. It must look as if she is being held together by the dress. Bodice: straight cut front and back. Yoke: diagonal. Sleeves: excessively padded. Skirt: center seam front and back asymmetric. Turban: must cover all her hair. Embroidery: vines of silver sequins.\u201d<\/p>\n<p>To the right of that design is one for the cr\u00eape de chine casaque with gold lam\u00e9 dots, along with a fabric sample with a pattern that recalls a sea of daisies. Like in all the subsequent designs in this display case, Baum signed these drawings with her initials \u201cB.B.\u201d to the left and right of a tree, her trademark doodle.<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   \" style='border-radius:0px; '><div class='avia-gallery  avia-gallery-3 avia_lazyload avia_animate_when_visible '  itemprop=\"ImageObject\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><a class='avia-gallery-big fakeLightbox lightbox avia-gallery-big-crop-thumb ' href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili-Marleen__Hanna_Schygulla__Abendkleid_aus_Silberlame.jpg'  data-onclick='1' title='Lili Marleen: Entwurf f\u00fcr das Silberlam\u00e9-Kleid' ><span class='avia-gallery-big-inner'  itemprop=\"thumbnailUrl\" >\t<img width='729' height='1024' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili-Marleen__Hanna_Schygulla__Abendkleid_aus_Silberlame.jpg' title='BAUM, Barbara__Lili Marleen__Hanna_Schygulla__Abendkleid_aus_Silberlame' alt='Lili Marleen: Entwurf f\u00fcr das Silberlam\u00e9-Kleid' \/>\t<span class='avia-gallery-caption'>Lili Marleen: Entwurf f\u00fcr das Silberlam\u00e9-Kleid<\/span><\/span><\/a><div class='avia-gallery-thumb'> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili-Marleen__Hanna_Schygulla__Abendkleid_aus_Silberlame.jpg' data-rel='gallery-3' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili-Marleen__Hanna_Schygulla__Abendkleid_aus_Silberlame.jpg' class='first_thumb lightbox ' data-onclick='1' title='Lili Marleen: Entwurf f\u00fcr das Silberlam\u00e9-Kleid'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Lili Marleen: Entwurf f\u00fcr das Silberlam\u00e9-Kleid' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili-Marleen__Hanna_Schygulla__Abendkleid_aus_Silberlame-495x400.jpg' width='495' height='400'  title='BAUM, Barbara__Lili Marleen__Hanna_Schygulla__Abendkleid_aus_Silberlame' alt='Lili Marleen: Entwurf f\u00fcr das Silberlam\u00e9-Kleid' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili_Marleen__Hanna_Schygulla__Abendkleid_aus_Koenigsblauem_Crepe_de_Chine_mit_Goldf\u00e4den.jpg' data-rel='gallery-3' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili_Marleen__Hanna_Schygulla__Abendkleid_aus_Koenigsblauem_Crepe_de_Chine_mit_Goldf\u00e4den.jpg' class='lightbox ' data-onclick='2' title='Lili Marleen: Entwurf f\u00fcr ein Auftrittskleid f\u00fcr den Sportpalast 1942'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Lili Marleen: Entwurf f\u00fcr ein Auftrittskleid f\u00fcr den Sportpalast 1942' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili_Marleen__Hanna_Schygulla__Abendkleid_aus_Koenigsblauem_Crepe_de_Chine_mit_Goldf\u00e4den-495x400.jpg' width='495' height='400'  title='BAUM, Barbara__Lili_Marleen__Hanna_Schygulla__Abendkleid_aus_Koenigsblauem_Crepe_de_Chine_mit_Goldf\u00e4den' alt='Lili Marleen: Entwurf f\u00fcr ein Auftrittskleid f\u00fcr den Sportpalast 1942' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili_Marleen__Hanna_Schygulla__Kasack_aus-_Crepe_de-Chine_mit-Goldlametupfen-710x1030.jpg' data-rel='gallery-3' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili_Marleen__Hanna_Schygulla__Kasack_aus-_Crepe_de-Chine_mit-Goldlametupfen.jpg' class='lightbox ' data-onclick='3' title='Lili Marleen: Entwurf f\u00fcr das Reichskanzlei-Kost\u00fcm'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Lili Marleen: Entwurf f\u00fcr das Reichskanzlei-Kost\u00fcm' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM-Barbara__Lili_Marleen__Hanna_Schygulla__Kasack_aus-_Crepe_de-Chine_mit-Goldlametupfen-495x400.jpg' width='495' height='400'  title='BAUM, Barbara__Lili_Marleen__Hanna_Schygulla__Kasack_aus _Crepe_de Chine_mit Goldlametupfen' alt='Lili Marleen: Entwurf f\u00fcr das Reichskanzlei-Kost\u00fcm' \/><\/a><\/div><\/div><\/div>\n<div  class='hr hr-default  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>4th film: <b><i>Lola.<\/i><\/b><\/p>\n<p>Two designs for Barbara Sukowa in the title role. At the top is a sketch of a knee-length jersey dress. It has short sleeves and a bow on the left shoulder. The close-fitting skirt has side godets. A second view of the front shows the dress worn with a stole. The back view is at the bottom of the sheet, with Baum\u2019s signature next to it.<\/p>\n<p>Below that is a sketch of the organdy summer dress, with the front view on the left, and the back view on the right. On the bottom left is Baum\u2019s signature with notes on the dress to the right of that: \u201c<b>Gossamer summer dress<\/b> <b>with a petticoat and accompanying corset underdress<\/b>.\u201d The dress has truncated sleeves and a Peter Pan collar. A belt with a fabric knot at the front marks the place where the wide flared skirt begins. A tactile graphic for this dress can be found in front of Stage 9, in the center.<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   \" style='border-radius:0px; '><div class='avia-gallery  avia-gallery-4 avia_lazyload avia_animate_when_visible '  itemprop=\"ImageObject\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><a class='avia-gallery-big fakeLightbox lightbox avia-gallery-big-crop-thumb ' href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Jerseykleid_Lola-738x1030.jpg'  data-onclick='1' title='Lola: Entwurf f\u00fcr ein Jerseykleid f\u00fcr Lola' ><span class='avia-gallery-big-inner'  itemprop=\"thumbnailUrl\" >\t<img width='1280' height='1787' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Jerseykleid_Lola.jpg' title='BAUM_Barbara__Lola__Skizze_Jerseykleid_Lola' alt='Lola: Entwurf f\u00fcr ein Jerseykleid f\u00fcr Lola' \/>\t<span class='avia-gallery-caption'>Lola: Entwurf f\u00fcr ein Jerseykleid f\u00fcr Lola<\/span><\/span><\/a><div class='avia-gallery-thumb'> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Jerseykleid_Lola-738x1030.jpg' data-rel='gallery-4' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Jerseykleid_Lola.jpg' class='first_thumb lightbox ' data-onclick='1' title='Lola: Entwurf f\u00fcr ein Jerseykleid f\u00fcr Lola'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Lola: Entwurf f\u00fcr ein Jerseykleid f\u00fcr Lola' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Jerseykleid_Lola-495x400.jpg' width='495' height='400'  title='BAUM_Barbara__Lola__Skizze_Jerseykleid_Lola' alt='Lola: Entwurf f\u00fcr ein Jerseykleid f\u00fcr Lola' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Organdikleid_Lola-724x1030.jpg' data-rel='gallery-4' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Organdikleid_Lola.jpg' class='lightbox ' data-onclick='2' title='Lola: Entwurf f\u00fcr das Organdikleid f\u00fcr Lola'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Lola: Entwurf f\u00fcr das Organdikleid f\u00fcr Lola' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Lola__Skizze_Organdikleid_Lola-495x400.jpg' width='495' height='400'  title='BAUM_Barbara__Lola__Skizze_Organdikleid_Lola' alt='Lola: Entwurf f\u00fcr das Organdikleid f\u00fcr Lola' \/><\/a><\/div><\/div><\/div>\n<div  class='hr hr-default  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>5th film: <b><i>Querelle.<\/i><\/b><\/p>\n<p>On display are three A4 pages of sketches. The first is a design for a neglig\u00e9e for Jeanne Moreau in her role as Lysiane. Pictured is a very short slip with thin straps. On the bottom right of the sheet Baum noted: \u201cSheer georgette, pure black silk.\u201d Over the slip is a sheer robe with a train. Baum notes: \u201cBodice: black lace. Skirt: applique lace pattern.\u201d<\/p>\n<p>Another sheet shows the design of the \u201csnake-print dress,\u201d also for Jeanne Moreau. The front view of this close-fitting strapless dress takes up most of the A4 sheet. The d\u00e9collet\u00e9 is covered with a transparent fabric that fills the neckline to the throat. Two sketches of the back view complete this design. On the left edge of the sheet is a piece of the dark devor\u00e9 fabric with a snake-print pattern.<\/p>\n<p>The third sketch shows the naval uniform worn by Franco Nero in his role as Lieutenant Seblon: a double-breasted uniform jacket with epaulettes, and gold braid on the right shoulder.<\/p>\n<\/div><\/section><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   \" style='border-radius:0px; '><div class='avia-gallery  avia-gallery-5 avia_lazyload avia_animate_when_visible '  itemprop=\"ImageObject\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><a class='avia-gallery-big fakeLightbox lightbox avia-gallery-big-crop-thumb ' href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Negligee_Lysiane-745x1030.jpg'  data-onclick='1' title='Querelle: Entwurf f\u00fcr ein Neglig\u00e9 f\u00fcr Lysiane' ><span class='avia-gallery-big-inner'  itemprop=\"thumbnailUrl\" >\t<img width='1280' height='1770' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Negligee_Lysiane.jpg' title='BAUM_Barbara__Querelle__Skizze_Negligee_Lysiane' alt='Querelle: Entwurf f\u00fcr ein Neglig\u00e9 f\u00fcr Lysiane' \/>\t<span class='avia-gallery-caption'>Querelle: Entwurf f\u00fcr ein Neglig\u00e9 f\u00fcr Lysiane<\/span><\/span><\/a><div class='avia-gallery-thumb'> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Negligee_Lysiane-745x1030.jpg' data-rel='gallery-5' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Negligee_Lysiane.jpg' class='first_thumb lightbox ' data-onclick='1' title='Querelle: Entwurf f\u00fcr ein Neglig\u00e9 f\u00fcr Lysiane'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Querelle: Entwurf f\u00fcr ein Neglig\u00e9 f\u00fcr Lysiane' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Negligee_Lysiane-495x400.jpg' width='495' height='400'  title='BAUM_Barbara__Querelle__Skizze_Negligee_Lysiane' alt='Querelle: Entwurf f\u00fcr ein Neglig\u00e9 f\u00fcr Lysiane' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Schlangenkleid_Lysiane-745x1030.jpg' data-rel='gallery-5' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Schlangenkleid_Lysiane.jpg' class='lightbox ' data-onclick='2' title='Querelle: Entwurf f\u00fcr das Schlangenkleid f\u00fcr Lysiane'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Querelle: Entwurf f\u00fcr das Schlangenkleid f\u00fcr Lysiane' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Schlangenkleid_Lysiane-495x400.jpg' width='495' height='400'  title='BAUM_Barbara__Querelle__Skizze_Schlangenkleid_Lysiane' alt='Querelle: Entwurf f\u00fcr das Schlangenkleid f\u00fcr Lysiane' \/><\/a> <a href='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Uniform_Seblon-727x1030.jpg' data-rel='gallery-5' data-prev-img='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Uniform_Seblon.jpg' class='lightbox ' data-onclick='3' title='Querelle: Entwurf f\u00fcr Seblons Uniform'  itemprop=\"thumbnailUrl\" ><img data-avia-tooltip='Querelle: Entwurf f\u00fcr Seblons Uniform' src='https:\/\/hautnah.dff.film\/medien\/2020\/04\/BAUM_Barbara__Querelle__Skizze_Uniform_Seblon-495x400.jpg' width='495' height='400'  title='BAUM_Barbara__Querelle__Skizze_Uniform_Seblon' alt='Querelle: Entwurf f\u00fcr Seblons Uniform' \/><\/a><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-416","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Display Case 4: Rainer Werner Fassbinder - HAUTNAH. Die Filmkost\u00fcme von Barbara Baum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hautnah.dff.film\/en\/qr-code-21-vitrine-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Display Case 4: Rainer Werner Fassbinder - HAUTNAH. Die Filmkost\u00fcme von Barbara Baum\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hautnah.dff.film\/en\/qr-code-21-vitrine-4\/\" \/>\n<meta property=\"og:site_name\" content=\"HAUTNAH. 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